Send a Premiere Pro project. With the media.

A .prproj file holds no footage — it's a list of edits pointing at paths on your drive. Here's how to collect the whole project properly, and how to get 200 GB of it to another editor without an upload queue or a 2 GB cap.

AlterSend transferring a large Premiere Pro project folder between editors
AlterSend transfer progress on a phone

Why emailing the .prproj doesn't work

A Premiere project file is often only a few megabytes, which makes it look easy to send. It isn't easy — it's just empty. The .prproj stores your sequences, cuts, effects settings and a set of file paths. The actual video, audio and graphics live wherever they sit on your drive, and none of it is inside the project.

Open that file on another machine and Premiere goes looking for /Users/you/Footage/Day01/…, finds nothing, and fills the timeline with Media Offline. The other editor can see your edit structure but can't play a frame of it.

So a real handoff is always two parts: collect the project and its media into one folder, then move that folder — which is where the size problem starts.

Step one: collect the files

In Premiere Pro, open File → Project Manager. Tick the sequences you're handing over, choose Collect Files and Copy to New Location, and pick a destination folder. Premiere copies the project file plus every asset it references into that one folder, rewriting the paths so they resolve relatively — which is what lets it open cleanly on someone else's machine.

Turn on Exclude Unused Clips before you run it. If you shot 4 TB and cut 90 minutes, this is the single biggest size reduction available to you. Include Handles adds a few seconds either side of each clip so the other editor still has trim room.

One caveat worth knowing up front: Project Manager collects media, not your environment. Fonts, LUTs, third-party plugins and effect presets are not included and must exist on the other machine. Drop your fonts and LUTs into the same folder before sending and you'll save a round trip.

Step two: the part that's actually hard

Your collected folder is now somewhere between 20 GB and several hundred. Here's what editors normally reach for, and what each one costs.

WeTransfer / cloud transfer link
Upload the collected folder, send a download link.
Free tiers stop around 2 GB. Editing projects routinely run 50–500 GB, and the link expires.
Google Drive or Dropbox
Sync the folder, share it with the other editor.
You pay for storage you don't want, upload the entire project before anyone can touch it, and quota runs out fast.
Ship a physical drive
Copy to an SSD and courier it.
Reliable for huge projects, but it costs a day or three — and the drive can go missing.

Or send it directly

AlterSend moves the collected folder straight from your machine to the other editor's — no upload step, no storage plan, no size ceiling. Because there's no server in the middle, the transfer starts the moment they accept instead of after you've finished uploading.

No size limit
A 20 GB rough cut or a 500 GB feature project — identical workflow.
Whole folders, structure intact
Send the collected folder as-is, so relative media paths still resolve.
No upload step
Transfer starts immediately — no uploading everything before they can download.
Client work stays private
End-to-end encrypted, never stored on a server. Embargoed footage stays yours.

Also useful: sending large files free and how AlterSend compares to WeTransfer.

The whole handoff, in three steps

  1. 01
    Collect the project
    File → Project Manager → Collect Files and Copy to New Location. Exclude unused clips.
  2. 02
    Pair the two machines
    Install AlterSend on both, scan a QR code once. No account, no upload.
  3. 03
    Send the whole folder
    Drag the collected folder across. Any size, encrypted, straight to their drive.
AlterSend transferring a large Premiere Pro project folder between editors

Questions

Hand off the whole project. No cap.

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